![]() It was during this trip that Dylan composed "Chimes of Freedom", finishing it in time to premiere at a Denver concert on the 15th. "Talking to people – that's where it's at, man." Īccording to Heylin, "the primary motivation for this trip was to find enough inspiration to step beyond the folk-song form, if not in the bars, or from the miners, then by peering deep into himself." Dylan spent much time in the back of the station wagon, working on songs and possibly poetry on a typewriter. (At one point, Dylan reportedly paid a visit to poet Carl Sandburg.) "We talked to people in bars, miners," Dylan would later say. Riding in a station wagon with a few friends (Paul Clayton, Victor Maymudes, and Pete Karman), Dylan began the trip in New York, taking numerous detours through many states before ending the trip in California. In February 1964, Dylan embarked on a 20-day trip across the United States. This refrain would soon appear in a very important composition, " Chimes of Freedom", and, as biographer Clinton Heylin writes, "with this sad refrain, Dylan would pass from topical troubadour to poet of the road." The colors of Friday were dull / as cathedral bells were gently burnin / strikin for the gentle / strikin for the kind / strikin for the crippled ones / an strikin for the blind Kennedy's assassination (which took place on November 22, 1963): The most notable example came in a six-line coda to a poem responding to President John F. It would be years before Dylan finished his book, but the free form poetry experiments that came from it eventually influenced his songwriting. The poetry editor called it 'inaccessible.' The symbolism was not easily understood, but on the other hand it was earthy, filled with obscure but marvelous imagery … I felt it had a lot of value and was very different from Dylan's output till then. Macmillan's senior editor, Bob Markel, said, "We gave an advance for an untitled book of writings … The publisher was taking a risk on a young, untested potential phenomenon." When Markel met with Dylan for the first time, "there was no book at the time … The material at that point was hazy, sketchy. However, as Dylan worked on his book at a casual pace, his manager, Albert Grossman, decided to make a deal with a major publisher. A number of publishers were interested in signing Dylan to a contract, and at one point, City Lights (a small but prestigious company specializing in poetry) was strongly considered. Throughout 1963, Dylan worked on a novel and a play. 8 on the UK charts in 1965.Ī high-definition 5.1 surround sound edition of the album was released on SACD by Columbia in 2003. 43 in the United States (although it eventually went gold), and peaked at No. In addition to his usual acoustic guitar and harmonica, Dylan provides piano on one track, "Black Crow Blues." Another Side of Bob Dylan reached No. ĭespite the album's thematic shift, Dylan performed the entirety of Another Side of Bob Dylan as he had previous records – solo. The change prompted criticism from some influential figures in the folk community – Sing Out! editor Irwin Silber complained that Dylan had "somehow lost touch with people" and was caught up in "the paraphernalia of fame". The album deviates from the more socially conscious style which Dylan had developed with his previous LP, The Times They Are A-Changin'. Another Side of Bob Dylan is the fourth studio album by American singer and songwriter Bob Dylan, released on August 8, 1964, by Columbia Records.
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